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「名妓三十六佳撰 花扇の話 第七」
No. 7, Hanaôgi, from the series An Excellent Selection of Thirty-six Noted Courtesans (Meigi sanjûroku kasen)
「名妓三十六佳撰 花扇の話 第七」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Tsutaya Kichizô (Kôeidô) (Japanese)
Publisher: Tsutaya Kichizô (Kôeidô) (Japanese)
Japanese
Edo period
1861 (Man'en 2/Bunkyû 1), 1st month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.5 × 25 cm (14 3/8 × 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42788
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
C's Ukiyo-e Museum, http://homepage2.nifty.com/ukiyo-e/index.html
DescriptionMFA impressions: 00.883, 11.42788, 11.45305
Signed
Ôju Toyokuni ga, in toshidama cartouche
応需豊国画(年玉枠)
応需豊国画(年玉枠)
Marks
Censor's seal: Chicken 1 aratame
No blockcutter's mark
改印：酉正改
彫師：なし
No blockcutter's mark
改印：酉正改
彫師：なし
Inscriptions花扇の話
詩歌連俳は いふもさらなり いくつの
みち なにくれの わざにすぐれし
をみななるが とりわき 手跡を
よくなしたり そがうへ おこなひ
ただしければ いとやむごとなき かた
ざまの かよひぢ しげくありつるとぞ
青柳や たが髪あらふ 橋のもと
こは かれが 自草とて ひざう
せられしままに ざくにしるし置ぬ句
を 見しまま いだしぬ
三亭春馬 記
栄中 書
詩歌連俳は いふもさらなり いくつの
みち なにくれの わざにすぐれし
をみななるが とりわき 手跡を
よくなしたり そがうへ おこなひ
ただしければ いとやむごとなき かた
ざまの かよひぢ しげくありつるとぞ
青柳や たが髪あらふ 橋のもと
こは かれが 自草とて ひざう
せられしままに ざくにしるし置ぬ句
を 見しまま いだしぬ
三亭春馬 記
栄中 書
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.