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「近世水滸伝 波切重三 尾上梅幸」 4.5代目尾上梅幸（初代実川延若）
Actor Onoe Baikô 4.5 as Namikiri Jûza, from the series A Modern Shuihuzhuan (Kinsei suikoden)
「近世水滸伝 波切重三 尾上梅幸」 4.5代目尾上梅幸（初代実川延若）
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Text by: Kanagaki Robun (Kinton Donjin) (Japanese, 1829–1894)
Publisher: Iseya Kanekichi (Japanese)
Blockcutter: Horikô Ko-Kin (Japanese)
Text by: Kanagaki Robun (Kinton Donjin) (Japanese, 1829–1894)
Publisher: Iseya Kanekichi (Japanese)
Blockcutter: Horikô Ko-Kin (Japanese)
Japanese
Edo period
1862 (Bunkyû 2), 9th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.2 x 24.4 cm (14 1/4 x 9 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42766
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kokubungaku kenkyû shiryôkan, ed., Zusetsu mitate to yatsushi (2008), p. 95, cat. no. 85
DescriptionMFA impressions: 11.29165, 11.42766
The actor later known as Jitsukawa Enjaku I used the name Onoe Baikô from 1/1859 to 2/1863 but is not considered a formal member of the lineage; he falls between the official Baikô IV and Baikô V.
The actor later known as Jitsukawa Enjaku I used the name Onoe Baikô from 1/1859 to 2/1863 but is not considered a formal member of the lineage; he falls between the official Baikô IV and Baikô V.
Signed
Kiô Toyokuni ga, in toshidama cartouche
喜翁豊国画(年玉枠)
喜翁豊国画(年玉枠)
Marks
Censor's seal: Dog 9 aratame
Blockcutter's mark: Horikô Ko-Kin
改印：戌九改
彫師：彫工小金
Blockcutter's mark: Horikô Ko-Kin
改印：戌九改
彫師：彫工小金
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.