Advanced Search
「見立三十六歌撰之内 僧正遍照 光秀妻さつき」 二代目尾上菊次郎
Poem by Sôjô Henjô: (Actor Onoe Kikujirô II as) Mitsuhide's Wife (Tsuma) Satsuki, from the series Comparisons for Thirty-six Selected Poems (Mitate sanjûrokkasen no uchi)
「見立三十六歌撰之内 僧正遍照 光秀妻さつき」 二代目尾上菊次郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Iseya Kanekichi (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Iseya Kanekichi (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1852 (Kaei 5), 10th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.9 x 24.3 cm (14 1/8 x 9 9/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42677
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kokubungaku kenkyû shiryôkan, ed., Zusetsu mitate to yatsushi (2008), p. 58, cat. no. 49
DescriptionMFA impressions: 11.36779.44, 11.42677
Signed
Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censors' seals: Fuku, Muramatsu, Rat 10
Blockcutter's mark: Hori Take
改印:福、村松、子十
彫師:彫竹
Blockcutter's mark: Hori Take
改印:福、村松、子十
彫師:彫竹
InscriptionsPoem: Tarachine wa/ kakare to teshi mo/ mubatama no/ waga kurokami o/ nadesu ya arikemu
「たらちねは かゝれとてしも むは玉の 我黒かみを なてすや有けむ」
「たらちねは かゝれとてしも むは玉の 我黒かみを なてすや有けむ」
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.