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Jion-ji at Karinzan, Iwatsuki, Musashi Province, No. 12 of the Bandô Pilgrimage Route (Bandô junrei jûniban Bushû Iwatsuki Karinzan Jion-ji), from the series Miracles of Kannon (Kannon reigenki)


「観音霊験記 坂東巡礼 十二番 武州 (ぶしゅう) 岩槻 (いわつき) 花林山 (かりんざん) 慈恩寺 (じおんじ)」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Utagawa Hiroshige II (Shigenobu) (Japanese, 1826–1869)
Publisher: Yamadaya Shôjirô (Japanese)
Japanese
Edo period
1865 (Genji 2/Keiô 1), 2nd month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban; 35.7 x 24.1 cm (14 1/16 x 9 1/2 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.42613
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné C's Ukiyo-e Museum, http://homepage2.nifty.com/ukiyo-e/index.html; Shibuya Kuritsu Shôtô Bijutsukan, Ukiyoeshitachi no shinbutsu (1999), #17
DescriptionThe story of Jigaku Daishi.
Signed Toyokuni ga, in toshidama cartouche (lower image); Hiroshige ga (upper image)
豊国画(年玉枠)、広重画
Marks Censor's seal: Ox 2 aratame
No blockcutter's mark
改印:丑二改
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.