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「江戸の花名勝会 り 十番組」 「今戸」 「髭の伊久 六代目松本幸四郎」
Ri Brigade, Tenth Group, Imado: Actor Matsumoto Kôshirô VI as Hige no Ikyû, from the series Flowers of Edo and Views of Famous Places (Edo no hana meishô-e)
「江戸の花名勝会 り 十番組」 「今戸」 「髭の伊久 六代目松本幸四郎」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Kawanabe Kyôsai (Japanese, 1831–1889)
Other artist: Chingetsu (Japanese, active 1860s)
Publisher: Katôya Iwazô (Seibei) (Japanese)
Blockcutter: Hori Sashichi (Japanese)
Other artist: Kawanabe Kyôsai (Japanese, 1831–1889)
Other artist: Chingetsu (Japanese, active 1860s)
Publisher: Katôya Iwazô (Seibei) (Japanese)
Blockcutter: Hori Sashichi (Japanese)
Japanese
Edo period
1863 (Bunkyû 3), 8th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.5 x 24.7 cm (14 3/8 x 9 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42503
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kaikan sanjû shûnen kinen Kawanabe Kyôsai kinen bijutsukan cat. (2008), p. 101, #0767
DescriptionMFA impressions: 11.42503, 11.44602
The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.
今戸。
(見立)
The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.
今戸。
(見立)
Signed
Toyokuni ga, in toshidama cartouche (bottom left); Chingetsu (top); Chikudô sho (calligraphy, top); Ôju Seisei Kyôsai (bottom right)
豊国画(年玉枠)、椿月、竹堂書、応需 惺々狂斎
豊国画(年玉枠)、椿月、竹堂書、応需 惺々狂斎
Marks
Censor's seal: Boar 8 aratame
Blockcutter's mark: Sashichi koku
改印：亥八改
彫師：佐七刻
Blockcutter's mark: Sashichi koku
改印：亥八改
彫師：佐七刻
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.