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「大日本六十余州之内 長門 毛剃九右衛門」
DEACESSIONED October 25, 2012
Nagato Province: Kezori Kuemon, from the series The Sixty-odd Provinces of Great Japan (Dai Nihon rokujûyoshû no uchi)
「大日本六十余州之内 長門 毛剃九右衛門」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Utagawa Kunimaro I (Japanese, active about 1850–1875)
Publisher: Jôshûya Jûzô / Jûbei (Kinjûdô) (Japanese)
Other artist: Utagawa Kunimaro I (Japanese, active about 1850–1875)
Publisher: Jôshûya Jûzô / Jûbei (Kinjûdô) (Japanese)
Japanese
Edo period
about 1845 (Kôka 2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.2 x 24.2 cm (13 7/8 x 9 1/2 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42461
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S36.51
DescriptionMFA impressions: 11.29790, *11.42461 (deaccessioned in 2012)
From a series jointly designed by Kunisada and Kuniyoshi, with insets by various pupils of the two main artists.
From a series jointly designed by Kunisada and Kuniyoshi, with insets by various pupils of the two main artists.
Signed
Ichiyôsai Toyokuni ga (on main image), Toyokuni monjin Kunimaro ga (on inset)
一陽斎豊国画、豊国門人国麿画
一陽斎豊国画、豊国門人国麿画
Marks
Censor's seal: Watari
No blockcutter's mark
改印：渡
彫師：なし
No blockcutter's mark
改印：渡
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.