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「大日本六十餘州之内 飛騨 小万」
Hida Province: Koman, from the series The Sixty-odd Provinces of Great Japan (Dai Nihon rokujûyoshû no uchi)
「大日本六十餘州之内 飛騨 小万」
Utagawa Kuniyoshi (Japanese, 1797–1861)
Other artist: Utagawa Yoshitomi (Japanese, active about 1848–80)
Publisher: Jôshûya Kinzô (Japanese)
Other artist: Utagawa Yoshitomi (Japanese, active about 1848–80)
Publisher: Jôshûya Kinzô (Japanese)
Japanese
Edo period
about 1845 (Kôka 2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37.3 x 25 cm (14 11/16 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42452
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S36.23
DescriptionFrom a series jointly designed by Kunisada and Kuniyoshi, with insets by various pupils of the two main artists.
Ichigeisai Yoshikono may be another name of Utagawa Yoshitomi, who also used the studio name Ichigeisai; or it may refer to Kuniyoshi himself, who sometimes used Yoshikono as a pseudonym for shunga.
Ichigeisai Yoshikono may be another name of Utagawa Yoshitomi, who also used the studio name Ichigeisai; or it may refer to Kuniyoshi himself, who sometimes used Yoshikono as a pseudonym for shunga.
Signed
Ichiyûsai Kuniyoshi ga (on main image); Monjin Ichigeisai Yoshikono ga (on inset)
一勇斎国芳画(芳桐印)、門人一芸斎芳古野画
一勇斎国芳画(芳桐印)、門人一芸斎芳古野画
Marks
Censor's seal: Watari
No blockcutter's mark
改印：渡
彫師：なし
No blockcutter's mark
改印：渡
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.