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「大日本六十餘州之内 伊豆 伊藤の女 辰姫」
Izu Province: Itô's Daughter (Itô no musume) Tatsu-hime, from the series The Sixty-odd Provinces of Great Japan (Dai Nihon rokujûyoshû no uchi)
「大日本六十餘州之内 伊豆 伊藤の女 辰姫」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Gochôtei Sadahiro (Japanese, active about 1830–1850)
Publisher: Aritaya Seiemon (Japanese)
Other artist: Gochôtei Sadahiro (Japanese, active about 1830–1850)
Publisher: Aritaya Seiemon (Japanese)
Japanese
Edo period
about 1845 (Kôka 2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37.8 x 25 cm (14 7/8 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42445
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S36.14
DescriptionMFA impressions: *11.29797 (deaccessioned in 2012), 11.42445
From a series jointly designed by Kunisada and Kuniyoshi, with insets by various pupils of the two main artists.
From a series jointly designed by Kunisada and Kuniyoshi, with insets by various pupils of the two main artists.
Signed
Kôchôrô Toyokuni ga (on main image); Monjin Sadahiro ga (on inset)
香蝶楼豊国画、門人貞広画
香蝶楼豊国画、門人貞広画
Marks
Censor's seal: Watari
No blockcutter's mark
改印：渡
彫師：なし
No blockcutter's mark
改印：渡
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.