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（１）「三櫓稽古之大会」 囃し （２）六代目市川団蔵、三代目市川市蔵、二代目尾上和市、五代目市川団之助、三代目沢村田之助、二代目浅尾与六 （３）三代目関三十郎、四代目市川小団次、三代目岩井粂三郎、三代目瀬川如皐、二代目河竹新七 （４）初代河原崎権十郎、十三代目市村羽左衛門、三代目市川九蔵、三代目桜田治助 （５）七代目嵐雛助、二代目沢村訥升、4.5代目尾上梅幸、初代市川新車、初代片岡十蔵、初代中村鶴蔵、八代目片岡仁左衛門
Gathering for a Rehearsel on the Third Floor (San yagura keiko no taikai): Actors, from right: Ichikawa Danzô VI, Ichikawa Ichizô III, Onoe Waichi II, Ichikawa Dannosuke V, Sawamura Tanosuke III, Asao Yoroku II; Seki Sanjûrô III, Ichikawa Kodanji IV, Iwai Kumesaburô III, Segawa Jokô III, and Kawatake Shinshichi II; Kawarazaki Gonjûrô I, Ichimura Uzaemon XIII, Ichikawa Kuzô III, and Sakurada Jisuke III; Arashi Hinasuke VII, Sawamura Tosshô II, Onoe Baikô 4.5, Ichikawa Shinsha I, Kataoka Jyûzô I, Nakamura Tsuruzô I, and Kataoka Nizaemon VIII
（１）「三櫓稽古之大会」 囃し （２）六代目市川団蔵、三代目市川市蔵、二代目尾上和市、五代目市川団之助、三代目沢村田之助、二代目浅尾与六 （３）三代目関三十郎、四代目市川小団次、三代目岩井粂三郎、三代目瀬川如皐、二代目河竹新七 （４）初代河原崎権十郎、十三代目市村羽左衛門、三代目市川九蔵、三代目桜田治助 （５）七代目嵐雛助、二代目沢村訥升、4.5代目尾上梅幸、初代市川新車、初代片岡十蔵、初代中村鶴蔵、八代目片岡仁左衛門
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Daikokuya Kinnosuke (Kinjirô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Daikokuya Kinnosuke (Kinjirô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1860 (Ansei 7/Man'en 1), 9th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban pentaptych; 35.7 x 123.6 cm (14 1/16 x 48 11/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42156a-e
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Edo-Tokyo Museum, Edo kabuki (1995), #5-50
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seal: Monkey 9 aratame
Blockcutter's marks: Hori Take (sheets 2, 4, 5), Yokokawa Hori Take (sheet 3)
改印：申九改
彫師：彫竹 横川彫竹
Blockcutter's marks: Hori Take (sheets 2, 4, 5), Yokokawa Hori Take (sheet 3)
改印：申九改
彫師：彫竹 横川彫竹
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.