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蛍狩当風俗 初代河原崎権十郎
Actor Kawarazaki Gonjûrô I, from the set Fashionable Firefly-hunting (Hotaru-gari fûzoku)
蛍狩当風俗 初代河原崎権十郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Ebisuya Shōshichi (Kinshōdō) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Ebisuya Shōshichi (Kinshōdō) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1860 (Ansei 7/Man'en 1), 3rd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.1 x 22.8 cm (14 3/16 x 9 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.42146
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
MFA, Kuniyoshi & Kunisada (2016), #60
DescriptionLeft sheet of incomplete tetraptych.
MFA impressions: 11.29133 (center right sheet), *11.29709 (center right sheet; deaccessioned in 2012), 11.42145a-d (tetraptych), 11.42146 (left sheet)
MFA impressions: 11.29133 (center right sheet), *11.29709 (center right sheet; deaccessioned in 2012), 11.42145a-d (tetraptych), 11.42146 (left sheet)
Signed
Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seal: Monkey 3 aratame
Blockcutter's mark: Yokokawa Hori Take
改印：申三改
彫師：横川彫竹
Blockcutter's mark: Yokokawa Hori Take
改印：申三改
彫師：横川彫竹
Inscriptions「紫扇 市川のなかれをおよくめたかかな」
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.