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「猟人名古平 市川小団次」（四代目） 「雪枝小織之助 市村家橘」（四代目、＝十三代目市村羽左衛門） 「名古平女房お仙 尾上菊二郎」（二代目）
Actors Ichikawa Kodanji IV as Hunter Nagohei (R), Ichimura Kakitsu IV as Yukie Koorinosuke (C), and Onoe Kikujirô II as Nagohei's Wife (Nyôbô) Osen (L)
「猟人名古平 市川小団次」（四代目） 「雪枝小織之助 市村家橘」（四代目、＝十三代目市村羽左衛門） 「名古平女房お仙 尾上菊二郎」（二代目）
Toyohara Kunichika (Japanese, 1835–1900)
Publisher: Tsujiokaya Bunsuke (Kinshôdô) (Japanese)
Blockcutter: Asakura Hori Man (Japanese)
Publisher: Tsujiokaya Bunsuke (Kinshôdô) (Japanese)
Blockcutter: Asakura Hori Man (Japanese)
Japanese
Edo period
1864 (Bunkyû 4/Genji 1), 2nd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 35.6 × 72.8 cm (14 × 28 11/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41799a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Waseda db 101-0470 (R), 101-0471 (C), 101-0472 (L)
DescriptionMFA impressions: 11.41759a-c, 11.41799a-c
Play: Soga Moyô Tateshi no Goshozome
Theater: Ichimura
曽我綉侠御所染（そがもようたてしのごしょぞめ）
市村
1864、甲子、文久０４、02・15
Play: Soga Moyô Tateshi no Goshozome
Theater: Ichimura
曽我綉侠御所染（そがもようたてしのごしょぞめ）
市村
1864、甲子、文久０４、02・15
Signed
Kunichika ga, in toshidama cartouche (on each sheet)
国周画(年玉枠）
国周画(年玉枠）
Marks
Censor's seal: Rat 2 aratame
Blockcutter's mark: Asakura Hori Man (on right sheet)
改印：子二改
彫師：朝倉彫万
Blockcutter's mark: Asakura Hori Man (on right sheet)
改印：子二改
彫師：朝倉彫万
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.