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「大経師茂兵衛」八代目市川団十郎 「荒五郎茂兵衛女房お三」初代坂東しうか
Actors Ichikawa Danjûrô VIII as Daikyôji Mohei (R) and Bandô Shûka I as Aragorô Mohei's Wife (Nyôbô) Osan (L)
「大経師茂兵衛」八代目市川団十郎 「荒五郎茂兵衛女房お三」初代坂東しうか
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Yamamotoya Heikichi (Eikyûdô) (Japanese)
Publisher: Yamamotoya Heikichi (Eikyûdô) (Japanese)
Japanese
Edo period
about 1850–51 (Kaei 3–4)
Medium/Technique
Woodblock print (key block); ink on paper
Dimensions
Vertical ôban diptych; 40.1 x 54.5 cm (15 13/16 x 21 7/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41551a-b
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.41551a-b (key block), 11.29971-2, 11.43908a-b
No performance found that corresponds to this scene. The actors appeared together in 1850-51.
該当する上演なし。名主印「村松」「福」の組合せは嘉永2年、また<8>市川団十郎と<1>坂東しうかが同座するのは嘉永3、嘉永4年であるため、本図は嘉永3～4年頃のものと思われる。
No performance found that corresponds to this scene. The actors appeared together in 1850-51.
該当する上演なし。名主印「村松」「福」の組合せは嘉永2年、また<8>市川団十郎と<1>坂東しうかが同座するのは嘉永3、嘉永4年であるため、本図は嘉永3～4年頃のものと思われる。
Signed
Kôchôrô Toyokuni ga (on right sheet), Ichiyôsai Toyokuni ga (on left sheet)
香蝶楼豊国画 一陽斎豊国画
香蝶楼豊国画 一陽斎豊国画
Marks
Censors' seals: Fuku, Muramatsu
No blockcutter's mark
改印：福、村松
彫師：なし
No blockcutter's mark
改印：福、村松
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.