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「七軒人 たま屋 たかそて」
DEACESSIONED October 25, 2012
Tagasode of the Tamaya, from the series Women of Seven Houses (Shichikenjin), pun on Seven Sages of the Bamboo Grove
「七軒人 たま屋 たかそて」
Japanese
Edo period
about 1806–08 (Bunka 3–5)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; about 38.1 × 25.4 cm (15 × 10 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41507
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kondô, ed., Eizan (JUM exh. cat., 1996), list #33.3 and cat. no. 23
DescriptionMFA impressions: 11.17754, *11.41507 (deaccessioned in 2012), *11.41508 (deaccessioned in 2012), 20.100
Signed
Kikukawa Eizan hitsu
菊川英山筆
菊川英山筆
Marks
No censor's seal
改印：なし
改印：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.