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「書画五拾三駅 相模 平塚 帍の恋情」「大磯の虎」「曽我の十郎」
Hiratsuka in Sagami Province: The Love Story of the Scarf (Hire no renjô); Ôiso no Tora and Soga no Jûrô, from the series Calligraphy and Pictures for the Fifty-three Stations of the Tôkaidô (Shoga gojûsan eki)
「書画五拾三駅 相模 平塚 帍の恋情」「大磯の虎」「曽我の十郎」
Utagawa Kunisada II (Kunimasa III, Toyokuni IV) (Japanese, 1823–1880)
Publisher: Sawamuraya Seikichi (Japanese)
Publisher: Sawamuraya Seikichi (Japanese)
Japanese
Meiji era
1872 (Meiji 5), 10th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.7 × 23.7 cm (14 1/16 × 9 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41435
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Marks, Kunisada's Tôkaidô (2013), fig. 20
DescriptionNo. 8 in the series.
Signed
Toyokuni hitsu
豊国筆
豊国筆
Marks
Censor's seal: Water Monkey (Jinshin, mizunoe saru) 10
No blockcutter's mark
改印：壬申十
彫師：なし
No blockcutter's mark
改印：壬申十
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.