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「書画五拾三駅 相模 戸塚 落人之追手」 「早野勘平」、「腰元於かる」、「鷺坂伴内」
Totsuka in Sagami Province: Counterattack (Ochûdo no ôte); Hayano Kanpei, Koshimoto Okaru, and Sagisaka Bannai, from the series Calligraphy and Pictures for the Fifty-three Stations of the Tôkaidô (Shoga gojûsan eki)
「書画五拾三駅 相模 戸塚 落人之追手」 「早野勘平」、「腰元於かる」、「鷺坂伴内」
Japanese
Meiji era
1872 (Meiji 5), 10th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.7 × 23.7 cm (14 1/16 × 9 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41433
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionNo. 6 in the series.
Signed
Yoshitora ga
芳虎画
芳虎画
Marks
Censor's seal: Water Monkey (Jinshin, mizunoe saru) 10 (reversed)
No blockcutter's mark
改印：壬申十
彫師：なし
No blockcutter's mark
改印：壬申十
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.