Advanced Search
Advanced Search

Kanagawa in Musashi Province: Distant View of Yokohama (Yokohama enbô), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tôkaidô (Shoga gojûsan eki)


「書画五拾三駅 武蔵 神奈川 横浜 眺望」
Utagawa Yoshimori (Japanese, 1830–1884)
Publisher: Sawamuraya Seikichi (Japanese)
Japanese
Meiji era
1872 (Meiji 5), 10th month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban; 36 x 24 cm (14 3/16 x 9 7/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.41431
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné MFA/Geidai, Double Impact (2015), #11; Ukiyo-e daijiten (2008), p. 544; Sakamoto & Toeda, Nihon no bijutsu #328 (1993), #125; Ôta Mem. Mus. of Art, Utagawa-ha (Kobijutsu special issue, 1986), #324; Tamba (Tanba), Ukiyo-e Edo kara Hakone made (1963), #150
DescriptionNo. 4 in the series.
Signed Zen Yoshimori Kôsai shasei (Drawn from life by Kôsai, formerly Yoshimori)
Marks Censor's seal: Water Monkey (Jinshin, mizunoe saru) 10
No blockcutter's mark
改印:壬申十
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the Museum of Fine Arts, Boston. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.