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「書画五拾三駅 武蔵 川崎 弥次郎 喜田八」
After his release from a jail term because he had had done a painting that criticized the new Meiji government, Kyōsai was able to revive his career as an artist with the help of fellow artists of the Utagawa school. This joint Tōkaidō series, combining the work of two to three artists in each design, uses a framing device of the newly introduced telegraph poles. Kyōsai shows the lovable scoundrels Yaji and Kita, the heroes of a well-known comic novel, leering at a pretty foreign woman drawn by Yoshitora. The smaller scene above shows CHinese scholars enjoying a painting and calligraphy party, similar to events sometimes attended by Kyōsai himself.
Kawasaki in Musashi Province: Yajirô and Kitahachi, from the series Calligraphy and Pictures for the Fifty-three Stations of the Tôkaidô (Shoga gojûsan eki)
「書画五拾三駅 武蔵 川崎 弥次郎 喜田八」
Kawanabe Kyôsai (Japanese, 1831–1889)
Utagawa Yoshitora (Japanese, active about 1836–1887)
Publisher: Sawamuraya Seikichi (Japanese)
Utagawa Yoshitora (Japanese, active about 1836–1887)
Publisher: Sawamuraya Seikichi (Japanese)
Japanese
Meiji era
1872 (Meiji 5), 10th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.5 x 23.5 cm (14 x 9 1/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41430
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
After his release from a jail term because he had had done a painting that criticized the new Meiji government, Kyōsai was able to revive his career as an artist with the help of fellow artists of the Utagawa school. This joint Tōkaidō series, combining the work of two to three artists in each design, uses a framing device of the newly introduced telegraph poles. Kyōsai shows the lovable scoundrels Yaji and Kita, the heroes of a well-known comic novel, leering at a pretty foreign woman drawn by Yoshitora. The smaller scene above shows CHinese scholars enjoying a painting and calligraphy party, similar to events sometimes attended by Kyōsai himself.
Catalogue Raisonné
Kawasaki City Mus., Meiji no hanga (Oka coll. exh., 2002), #2-6; Oikawa, Clark & Forrer, Comic Genius: Kawanabe Kyôsai/Kyôsai giga kyôga ten (1996), #172
DescriptionNo. 3 in the series.
Signed
Seisei Kyôsai; Yoshitora ga
惺々狂斎、芳虎画
惺々狂斎、芳虎画
Marks
Censor's seal: Water Monkey (Jinshin, mizunoe saru) 10
No blockcutter's mark
改印:壬申十
彫師:なし
No blockcutter's mark
改印:壬申十
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.