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「流行御利生けん」
A Popular Ken Game of Blessings (Ryûkô gorishô ken): Inari, Otake, and the Hag of Hell (Datsueba)
「流行御利生けん」
Japanese
Edo period
1849 (Kaei 2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.4 × 24.9 cm (14 5/16 × 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41314
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Tomizawa, Nishiki-e no chikara (2005), chart 3, #12, photo p. 49; Shibuya Kuritsu Shôtô Bijutsukan, Ukiyoeshitachi no shinbutsu (1999), #105; Minami, Edo no fûshiga (1997), pp. 163-7, fig. 40
DescriptionMFA impressions: 11.41314, 11.41316
Signed
Dôke Ichimôsai Yoshitora ga
道化一猛斎芳虎画
道化一猛斎芳虎画
Marks
Censors' seals: Mera, Murata
No blockcutter's mark
改印：米良、村田
彫師：なし
No blockcutter's mark
改印：米良、村田
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.