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「本朝剱道達人百人之内一個 唐木政右エ門」
Karaki Masaemon, from the series One Hundred Great Swordsmen of Our Country (Honchô kendô tatsujin hyakunin no uchi hitori)
「本朝剱道達人百人之内一個 唐木政右エ門」
Utagawa Yoshitora (Japanese, active about 1836–1887)
Publisher: Itoya Fukujirô (Japanese)
Blockcutter: Tsuge Shôjirô (Hori Shôji) (Japanese)
Publisher: Itoya Fukujirô (Japanese)
Blockcutter: Tsuge Shôjirô (Hori Shôji) (Japanese)
Japanese
Edo period
1859 (Ansei 6), 2nd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.7 × 24.3 cm (14 1/16 × 9 9/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41252
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.22624, 11.41252
Signed
Yoshitora ga
芳虎画
芳虎画
Marks
Censor's seal: Goat 2 aratame
Blockcutter's mark: Hori Shôji
改印：未弐改
彫師：彫庄治
Blockcutter's mark: Hori Shôji
改印：未弐改
彫師：彫庄治
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.