Advanced Search 
「今様擬源氏 五十四 夢浮橋 萱道心 石道丸」
Ch. 54, Yume no ukihashi, The End (Taibi): Karukaya Dôshin and Ishidômaru, from the series Modern Imitations of Genji (Imayô nazorae Genji)
「今様擬源氏 五十四 夢浮橋 萱道心 石道丸」
Japanese
Edo period
1864 (Bunkyû 4/Genji 1), 7th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36 × 23.7 cm (14 3/16 × 9 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41139
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
The series: Marks et al., Genji's World (2012), list #G474 (no photos)
Signed
Chôkarô Yoshiiku ga
朝霞楼芳幾画
朝霞楼芳幾画
Marks
Censor's seal: Rat 7 aratame
No blockcutter's mark
Artist's seal: kiri
改印：子七改
彫師：なし
No blockcutter's mark
Artist's seal: kiri
改印：子七改
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.