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「今様擬源氏 十一 花散里 名古屋山三元春」
Ch. 11, Hanashirusato: Nagoya Sanza Motoharu, from the series Modern Parodies of Genji (Imayô nazorae Genji)
「今様擬源氏 十一 花散里 名古屋山三元春」
Utagawa Yoshiiku (Japanese, 1833–1904)
Other artist: Miyagi Gengyo (Japanese, 1817–1880)
Publisher: Ômiya Kyûjirô (Kiyûdô) (Japanese)
Blockcutter: Hori Sashichi (Japanese)
Other artist: Miyagi Gengyo (Japanese, 1817–1880)
Publisher: Ômiya Kyûjirô (Kiyûdô) (Japanese)
Blockcutter: Hori Sashichi (Japanese)
Japanese
Edo period
1863 (Bunkyû 3), 10th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36 × 23.7 cm (14 3/16 × 9 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41110
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
The series: Marks et al., Genji's World (2012), list #G474 (no photos)
DescriptionMFA impressions: 11.22663, 11.41110
Signed
Ikkeisai Yoshiiku ga
一恵斎芳幾画
一恵斎芳幾画
Marks
Censor's seal: Boar 10 aratame
Blockcutter's mark: Sashichi koku
改印：亥十改
彫師：佐七刻
Blockcutter's mark: Sashichi koku
改印：亥十改
彫師：佐七刻
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.