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「真写月花の姿絵（まことのつきはなのすがたえ）」 「喜」 初代嵐吉六
Actor Bandô Kichiroku I, from the series Portraits as True Likenesses in the Moonlight (Makoto no tsuki hana no sugata-e)
「真写月花の姿絵（まことのつきはなのすがたえ）」 「喜」 初代嵐吉六
Japanese
Edo period
1867 (Keiô 3), 4th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.8 × 24.3 cm (14 1/8 × 9 9/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41101
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kurahashi, Edo kabuki no jôhô bunkashi (2021), p. 146, fig. 4; Nagata et al, The New York and New Jersey Ukiyo-e Collection (exh. cat., 1997), #101
DescriptionFrom a series of 38 sheets, including a title page, frontispiece, and 36 silhouette portraits.
Signed
Ikkeisai Yoshiiku hitsu
一恵斎芳幾筆
一恵斎芳幾筆
Marks
Censor's seal: Hare 4 aratame
No blockcutter's mark
改印：卯四改
彫師：なし
No blockcutter's mark
改印：卯四改
彫師：なし
InscriptionsPoem by the actor
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.