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「今様三十二相 手があり相」
The Handy Type (Te ga arisô), from the series Thirty-two Aspects in the Modern Style (Imayô sanjûnisô)
「今様三十二相 手があり相」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Miyagi Gengyo (Japanese, 1817–1880)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Other artist: Miyagi Gengyo (Japanese, 1817–1880)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1859 (Ansei 6), 2nd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.2 x 25.1 cm (14 1/4 x 9 7/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41013
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Christie's NY sale cat, Sept. 18, 2007, lot 37
Signed
Toyokuni ga, in toshidama cartouche (main image); Gengyo (inset)
豊国画(年玉枠)、玄魚
豊国画(年玉枠)、玄魚
Marks
Censor's seal: Goat 2 aratame
Blockcutter's mark: Hori Take
改印：未弐改
彫師：横川彫竹
Blockcutter's mark: Hori Take
改印：未弐改
彫師：横川彫竹
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.