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「今様三十二相 さむ相」
The Chilly Type (Samusô), from the series Thirty-two Aspects in the Modern Style (Imayô sanjûnisô)
「今様三十二相 さむ相」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Miyagi Gengyo (Japanese, 1817–1880)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Other artist: Miyagi Gengyo (Japanese, 1817–1880)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1859 (Ansei 6), 3rd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.5 x 26.6 cm (14 3/8 x 10 1/2 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.41007
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Hinohara, Utagawa Kunisada (Ôta Mus., 2016), p. 33; Christie's NY sale cat, Sept. 18, 2007, lot 33; Genshoku ukiyo-e dai hyakka jiten 5 (1980), #464
Signed
Toyokuni ga, in toshidama cartouche (main image); seal of Gengyo (inset)
豊国画(年玉枠)、（玄魚印）
豊国画(年玉枠)、（玄魚印）
Marks
Censor's seal: Goat 3 aratame
Blockcutter's mark: Yokokawa Hori Take
改印：未参改
彫師：横川彫竹
Blockcutter's mark: Yokokawa Hori Take
改印：未参改
彫師：横川彫竹
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.