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「艶姿花の十二支 子の日小まつ引」
Gathering Pine Shoots on the Day of the Rat (Ne no hi no komatsubiki), from the series Alluring Flowers for the Twelve Signs of the Zodiac (Enshi hana no jûni shi)
「艶姿花の十二支 子の日小まつ引」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Blockcutter: Matsushima Daijirô (Hori Dai) (Japanese)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Blockcutter: Matsushima Daijirô (Hori Dai) (Japanese)
Japanese
Edo period
1864 (Bunkyû 4/Genji 1), 2nd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37 x 26 cm (14 9/16 x 10 1/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.40996
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Signed
Nanajûkyûsai Toyokuni hitsu
七十九歳豊国筆
七十九歳豊国筆
Marks
Censor's seal: Rat 2 aratame
Blockcutter's mark: Hori Dai
改印：子二改
彫師：彫大
Blockcutter's mark: Hori Dai
改印：子二改
彫師：彫大
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.