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（八代目市川団十郎の時次郎と初代坂東しうかの浦里） 「かむろみどり」六代目坂東三津五郎 「山名屋浦里」三代目岩井粂三郎、「春日屋時次郎」初代中村福助
Actors Ichikawa Danjûrô VIII as Tokijirô and Bandô Shûka I as Urazato (in inset); Bandô Mitsugorô VI as the Kamuro Midori (R), Iwai Kumesaburô III as Yamanaya Urazato, and Nakamura Fukusuke I as Kasugaya Tokijirô (L)
（八代目市川団十郎の時次郎と初代坂東しうかの浦里） 「かむろみどり」六代目坂東三津五郎 「山名屋浦里」三代目岩井粂三郎、「春日屋時次郎」初代中村福助
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Ôtaya Takichi (Hori Takichi) (Japanese)
Publisher: Ôtaya Takichi (Hori Takichi) (Japanese)
Japanese
Edo period
1857 (Ansei 4), intercalary 5th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban diptych; 35.5 x 49.2 cm (14 x 19 3/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.40814a-b
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.40814a-b, 11.40818a-b
Play (shosa, finale of Part 2) Akegarasu Yuki no Urazato
Play (main feature): Wakaki no Ume Satomi no Yatsufusa
Theater: Nakamura
明烏雪浦里（あけがらすゆきのうらざと） 清元
若樹梅里見八総（わかきのうめさとみのやつふさ）
中村、二番目大切
1857、安政０４
Play (shosa, finale of Part 2) Akegarasu Yuki no Urazato
Play (main feature): Wakaki no Ume Satomi no Yatsufusa
Theater: Nakamura
明烏雪浦里（あけがらすゆきのうらざと） 清元
若樹梅里見八総（わかきのうめさとみのやつふさ）
中村、二番目大切
1857、安政０４
Signed
Toyokuni ga, in toshidama cartouche (on each sheet)
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seals: aratame, Snake intercalary 5
No blockcutter's mark
改印：改、巳壬五
彫師：なし
No blockcutter's mark
改印：改、巳壬五
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.