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Actors Ichikawa Kuzô II as Kawasakiya Hikosô, Onoe Eizaburô III as Kokinbôshi no Oito (R), Iwai Shijaku I as the Wife (Nyôbô) Omasu, and Ichikawa Momotarô II as Hikosô's Son (Segare) Yoshimatsu (L)


「川崎屋彦惣 市川九蔵」(二代目)、「古今ぼうしのお糸 尾上栄三郎」(三代目)  「女房おます 岩井紫若」(初代)、「彦惣忰吉松 市川茂々太郎」(二代目)
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Maruya Jinpachi (Marujin, Enjudô) (Japanese)
Japanese
Edo period
1842 (Tenpô 13), 4th month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban diptych; 34.8 x 47.2 cm (13 11/16 x 18 9/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.40666a-b
NOT ON VIEW
ClassificationsPrints

DescriptionPlay (second feature): Sono Samisen Homare no Takane
Play (main feature): Hiragana Seisuiki
Theater: Kawarazaki
其三味線誉高調(そのさみせんほまれのたかね
ひらかな盛衰記(ひらがなせいすいき)
河原崎、二番目
1842、天保13、04・26
Signed Gototei Kunisada ga (on each sheet)
五渡亭国貞画
Marks No censor's seal
No blockcutter's mark
改印:なし
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.