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「江戸名所合之内 油屋お染」 五代目坂東彦三郎 「廿八」「浅草」
Asakusa: (Actor Bandô Hikosaburô V as) Aburaya Osome, No. 28 from the series Matches for Famous Places in Edo (Edo meisho awase no uchi)
「江戸名所合之内 油屋お染」 五代目坂東彦三郎 「廿八」「浅草」
Toyohara Kunichika (Japanese, 1835–1900)
Publisher: Masudaya Ginjirô (Japanese)
Blockcutter: Ôta Masukichi (Hori Masu) (Japanese)
Publisher: Masudaya Ginjirô (Japanese)
Blockcutter: Ôta Masukichi (Hori Masu) (Japanese)
Japanese
Edo period
1867 (Keiô 3), 7th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.7 × 24.8 cm (14 1/16 × 9 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.40495
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Waseda db 007-1215; other prints in the series: Chiba City Mus., Bakumatsu Meiji no Ukiyo-e (Aoki coll. exh. cat., 2005), #s 85-94
Signed
Kunichika hitsu
国周筆
国周筆
Marks
Censor's seal: Hare 7 aratame
Blockcutter's mark: Horikô Masukichi
改印：卯七改
彫師：彫工舛吉
Blockcutter's mark: Horikô Masukichi
改印：卯七改
彫師：彫工舛吉
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.