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「みたて いろは あわせ もく六」
Title page for the series Matches for the Kana Syllables (Mitate iroha awase mokuroku)
「みたて いろは あわせ もく六」
Toyohara Kunichika (Japanese, 1835–1900)
Other artist: Takeuchi Tachô (Utagawa Yoshikane) (Japanese, 1832–1881)
Publisher: Ebiya Rinnosuke (Kaijudô) (Japanese)
Publisher: Iseya Kanekichi (Japanese)
Publisher: Enshûya Hikobei (Japanese)
Publisher: Maruya Heijirô
Blockcutter: Matsushima Masakichi (Hori Masa) (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Other artist: Takeuchi Tachô (Utagawa Yoshikane) (Japanese, 1832–1881)
Publisher: Ebiya Rinnosuke (Kaijudô) (Japanese)
Publisher: Iseya Kanekichi (Japanese)
Publisher: Enshûya Hikobei (Japanese)
Publisher: Maruya Heijirô
Blockcutter: Matsushima Masakichi (Hori Masa) (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Japanese
Edo period
1866 (Keiô 2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.3 × 23.7 cm (13 7/8 × 9 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.40423
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionThe complete series of 48 sheets plus title page: 11.40423 to 11.40471.
The series title refers not just to the letters of the kana syllabary but to the firefighting brigades of Edo, which were organized into 48 groups to the west of the Sumida River, each designated by a single kana syllable (with 16 additional groups to the east of the river, not included here). In naming the fire brigades, the syllables Hi, He, Ra, and N, because they suggested words with bad implications, were replaced by the characters for Hyaku (100), Sen (1000), Man (10,000), and Hon respectively.
The brigades were further organized into larger groups numbered from one to ten, leaving out the bad luck numbers 4 and 7, for a total of 8 groups; each group included four to nine brigades.
On the title page for the series, each background square lists the brigades in one of the groups and the kabuki characters shown in the individual prints, whose names start with the same syllables as the respective brigades.
First group: I, Ha, Ni, Yo, Man (=Ra)
Second group: Hyaku (=Hi), Sen (=He), Ro, Me, Mo, Se, Su
Third group: Te, A, Sa, Ki, Yu, Mi, Hon (=N)
Fifth group: Ku, Ya, Ma, Ke, Fu, Ko, E, Shi, We
Sixth group: Na, Mu, U, Wi, No, O
Eighth group: Ho, Wa, Ka, Ta
Ninth group: Re, So, Tsu, Ne
Tenth group: To, Chi, Ri, Nu, Ru, Wo
The series title refers not just to the letters of the kana syllabary but to the firefighting brigades of Edo, which were organized into 48 groups to the west of the Sumida River, each designated by a single kana syllable (with 16 additional groups to the east of the river, not included here). In naming the fire brigades, the syllables Hi, He, Ra, and N, because they suggested words with bad implications, were replaced by the characters for Hyaku (100), Sen (1000), Man (10,000), and Hon respectively.
The brigades were further organized into larger groups numbered from one to ten, leaving out the bad luck numbers 4 and 7, for a total of 8 groups; each group included four to nine brigades.
On the title page for the series, each background square lists the brigades in one of the groups and the kabuki characters shown in the individual prints, whose names start with the same syllables as the respective brigades.
First group: I, Ha, Ni, Yo, Man (=Ra)
Second group: Hyaku (=Hi), Sen (=He), Ro, Me, Mo, Se, Su
Third group: Te, A, Sa, Ki, Yu, Mi, Hon (=N)
Fifth group: Ku, Ya, Ma, Ke, Fu, Ko, E, Shi, We
Sixth group: Na, Mu, U, Wi, No, O
Eighth group: Ho, Wa, Ka, Ta
Ninth group: Re, So, Tsu, Ne
Tenth group: To, Chi, Ri, Nu, Ru, Wo
Signed
Gakô Ichiôsai Kunichika; Matoi Tachô hitsu (Firefighters' Standards by Tachô)
画工 一鴬斎国周、纏 田蝶筆
画工 一鴬斎国周、纏 田蝶筆
Marks
No censor's seal
Blockcutters (Horikô): Matsushima Hori Masa, Katada Hori Chô
Publishers (Hanmoto): Ebi-Rin, Ise-Kane, En-Hiko, Maru-Hei
改印：なし
彫師：片田彫長
Blockcutters (Horikô): Matsushima Hori Masa, Katada Hori Chô
Publishers (Hanmoto): Ebi-Rin, Ise-Kane, En-Hiko, Maru-Hei
改印：なし
彫師：片田彫長
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.