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「矢間重太郎 河原崎権十郎」（初代）、「与左衛門娘おりへ 沢村田之助」（三代目）
Actors Kawarazaki Gonjûrô I as Yazama Jûtarô and Sawamura Tanosuke III as Yozaemon's Daughter (Musume) Orie
「矢間重太郎 河原崎権十郎」（初代）、「与左衛門娘おりへ 沢村田之助」（三代目）
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Ômiya Kyûjirô (Kiyûdô) (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Publisher: Ômiya Kyûjirô (Kiyûdô) (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Japanese
Edo period
1861 (Man'en 2/Bunkyû 1), 6th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.6 x 24.4 cm (14 x 9 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.40262
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.40262 (dark gray background), 11.44632 (blue background)
Play (shosa): Yume Musubu Tsuyu no Korobine
Play (main feature): Tôkaidô Iroha Nikki
Theater: Ichimura
夢結露転寝（ゆめむすぶつゆのころびね）、花薗
東駅いろは日記（とうかいどういろはにっき）
市村
1861、文久０１、07・13
Play (shosa): Yume Musubu Tsuyu no Korobine
Play (main feature): Tôkaidô Iroha Nikki
Theater: Ichimura
夢結露転寝（ゆめむすぶつゆのころびね）、花薗
東駅いろは日記（とうかいどういろはにっき）
市村
1861、文久０１、07・13
Signed
Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seal: Chicken 6 aratame
Blockcutter's mark: Horikô Fuka-Chô
改印：酉六改
彫師：彫工深長
Blockcutter's mark: Horikô Fuka-Chô
改印：酉六改
彫師：彫工深長
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.