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「東海道五十三次」「日本橋 松魚売」三代目坂東三津五郎、「品川 長兵衛」五代目松本幸四郎、「川崎 権八」五代目岩井半四郎、「神奈川 頓兵衛」五代目市川海老蔵、「程ヶ谷 おかる」初代坂東しうか、「戸塚 勘平」八代目市川団十郎、「藤沢 小栗」初代坂東竹三郎、「平塚 万長娘」三代目岩井粂三郎、「大磯 虎御前」四代目尾上梅幸
Actors from the series Fifty-three Stations of the Tôkaidô (Tôkaidô gojûsan tsugi): Nihonbashi: Bandô Mitsugorô III as a Fishmonger (Katsuouri), Shinagawa: Matsumoto Kôshirô V as Chôbei, Kawasaki: Iwai Hanshirô V as Gonpachi, Kanagawa: Ichikawa Ebizô V as Tonbei, Hodogaya: Bandô Shûka I as Okaru, Totsuka: Ichikawa Danjûrô VIII as Kanpei, Fujisawa: Bandô Takesaburô I as Oguri, Hiratsuka: Iwai Kumesaburô III as Manchô's Daughter (Musume), Ôiso: Onoe Baikô IV as Tora Gozen
「東海道五十三次」「日本橋 松魚売」三代目坂東三津五郎、「品川 長兵衛」五代目松本幸四郎、「川崎 権八」五代目岩井半四郎、「神奈川 頓兵衛」五代目市川海老蔵、「程ヶ谷 おかる」初代坂東しうか、「戸塚 勘平」八代目市川団十郎、「藤沢 小栗」初代坂東竹三郎、「平塚 万長娘」三代目岩井粂三郎、「大磯 虎御前」四代目尾上梅幸
Japanese
Edo period
1852 (Kaei 5), 7th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.9 x 25.3 cm (14 1/2 x 9 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.40137
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Marks, Kunisada's Tôkaidô (2013), #T64-01, p. 174
Signed
Toyokuni
豊国
豊国
Marks
Censors' seals: Mera, Watanabe, Rat 7
No blockcutter's mark
改印：米良、渡辺、子七
彫師：なし
No blockcutter's mark
改印：米良、渡辺、子七
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.