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義経と弁慶の奥州下向
DEACESSIONED June 20, 2019
Yoshitsune and Benkei Escaping to the North
義経と弁慶の奥州下向
Japanese
Edo period
1843–47 (Tenpô 14–Kôka 4)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.6 x 26 cm (14 x 10 1/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.39903
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Chiba City Mus., Ukiyo-e ni egakareta kodomotachi (2014), #277
DescriptionCenter sheet of incomplete triptych.
MFA impressions: *11.21815 (fragment of left sheet; deaccessioned in 2019), 11.37439a-c (complete triptych), *11.39408 (fragment of right sheet; deaccessioned in 2019), *11.39903 (center sheet; deaccessioned in 2019)
MFA impressions: *11.21815 (fragment of left sheet; deaccessioned in 2019), 11.37439a-c (complete triptych), *11.39408 (fragment of right sheet; deaccessioned in 2019), *11.39903 (center sheet; deaccessioned in 2019)
Signed
Gyokuransai Sadahide ga
玉蘭斎貞秀画
玉蘭斎貞秀画
Marks
Censor's seal: Muramatsu
No blockcutter's mark
改印：村松
彫師：なし
No blockcutter's mark
改印：村松
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.