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「なでしこ 尾上栄三郎」 （4.5代目尾上栄三郎、二代目河原崎国太郎） 「小織之助 市村羽左衛門」（十三代目） 「百合之方 市川小団次」（四代目）
Actors Onoe Eizaburô 4.5 (later Kawarazaki Kunitarô II) as Nadeshiko (R), Ichimura Uzaemon XIII as Saorinosuke (C), and Ichikawa Kodanji IV as Yuri no Kata (L)
「なでしこ 尾上栄三郎」 （4.5代目尾上栄三郎、二代目河原崎国太郎） 「小織之助 市村羽左衛門」（十三代目） 「百合之方 市川小団次」（四代目）
Toyohara Kunichika (Japanese, 1835–1900)
Publisher: Ômiya Kyûjirô (Kiyûdô) (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Publisher: Ômiya Kyûjirô (Kiyûdô) (Japanese)
Blockcutter: Katada Chôjirô (Hori Chô) (Japanese)
Japanese
Edo period
1864 (Bunkyû 4/Genji 1), 2nd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 36.7 × 73.7 cm (14 7/16 × 29 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.39854a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.39854a-c (complete triptych), *11.39855 (left sheet only; deaccessioned in 2019)
Play: Soga Moyô Tateshi no Goshozome
Theater: Ichimura
曽我綉侠御所染（そがもようたてしのごしょぞめ）
市村
1864、甲子、文久０４、02・15
Play: Soga Moyô Tateshi no Goshozome
Theater: Ichimura
曽我綉侠御所染（そがもようたてしのごしょぞめ）
市村
1864、甲子、文久０４、02・15
Signed
Kunichika ga (on each sheet)
国周画
国周画
Marks
Censor's seal: Rat 2 aratame
Blockcutter's marks: Hori Chô (on right and center sheets), Katada Hori Chô (on left sheet)
改印：子二改
彫師：彫長 片田彫長
Blockcutter's marks: Hori Chô (on right and center sheets), Katada Hori Chô (on left sheet)
改印：子二改
彫師：彫長 片田彫長
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.