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「夜の梅」
Plum Blossoms at Night (Yoru no ume)
「夜の梅」
Utagawa Kuniyoshi (Japanese, 1797–1861)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
1843–47 (Tenpô 14–Kôka 4)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36 x 23.6 cm (14 3/16 x 9 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.39578
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Clark, Kuniyoshi from Miller Coll. (2009), #68; Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 13 (1991), Köln pl. 67
DescriptionRight sheet of an incomplete triptych.
MFA impressions: 11.36665a-c (complete triptych), 11.39578 (right sheet only)
MFA impressions: 11.36665a-c (complete triptych), 11.39578 (right sheet only)
Signed
Ichiyûsai Kuniyoshi ga
一勇斎国芳画
一勇斎国芳画
Marks
Censor's seal: Muramatsu
Blockcutter's mark: Hori Take
改印：村松
彫師：彫竹
Blockcutter's mark: Hori Take
改印：村松
彫師：彫竹
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.