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「花の移 両国ノ夕照」 「東八景ノ内 中村歌右衛門」（四代目中村歌右衛門のおまん）
Cherry Blossoms in the Sunset Glow at Ryôgoku (Hana no utsurou Ryôgoku no sekishô): Actor Nakamura Utaemon IV as a Crossdressing Candy Peddler (Oman), from the series Eight Views of Edo (Azuma hakkei no uchi)
「花の移 両国ノ夕照」 「東八景ノ内 中村歌右衛門」（四代目中村歌右衛門のおまん）
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Yamamotoya Heikichi (Eikyûdô) (Japanese)
Publisher: Yamamotoya Heikichi (Eikyûdô) (Japanese)
Japanese
Edo period
1839 (Tenpô 10), 3rd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.3 x 25.5 cm (14 5/16 x 10 1/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.39322
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Toraya, Atsumeru tanoshimi (Yoshida coll., 2012), #41
DescriptionPlay (shosa, finale of Part 2): Hanagoyomi Iro no Showake
Section of shosa: Higashi ni Ate Hana ni Wataru Ryôgoku ni Ameuri no Sekishô
Play (main feature): Iwai-uta Soga no Kaomise
Theater: Ichimura
花翫暦色所八景（はなごよみいろのしょわけ） 常磐津
震に当て花に渡両国に雨売の夕照（ひがしにあてはなにわたるりょうごくにあめうりのせきしょう）
岩井歌曽我対面（いわいうたそがのかおみせ）
中村、二番目大切
Section of shosa: Higashi ni Ate Hana ni Wataru Ryôgoku ni Ameuri no Sekishô
Play (main feature): Iwai-uta Soga no Kaomise
Theater: Ichimura
花翫暦色所八景（はなごよみいろのしょわけ） 常磐津
震に当て花に渡両国に雨売の夕照（ひがしにあてはなにわたるりょうごくにあめうりのせきしょう）
岩井歌曽我対面（いわいうたそがのかおみせ）
中村、二番目大切
Signed
Gototei Kunisada ga
五渡亭国貞画
五渡亭国貞画
Marks
Censor's seal: kiwame
改印：極
改印：極
Inscriptions「爰らにも一トかたまりや夕桜 秀雀」
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.