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「不二三十六景 相模大山来迎谷」
The Valley of Amida's Descent at Ôyama in Sagami Province (Sagami Ôyama Raigô tani), from the series Thirty-six Views of Mount Fuji (Fuji sanjûrokkei)
「不二三十六景 相模大山来迎谷」
Japanese
Edo period
1852 (Kaei 5), 12th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Horizontal chûban; 17.8 × 24.8 cm (7 × 9 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.39247
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Ukiyo-e shûka 14 (1981), Hiroshige list, p. 235, horizontal chûban #31.11; Tamba (Tanba), Ukiyo-e Edo kara Hakone made (1963), #348
DescriptionMFA impressions: 11.26276, 11.39247, 21.9570
Signed
Hiroshige ga
広重画
広重画
Marks
Censors' seals: Kinugasa, Murata, Rat 12
No blockcutter's mark
改印：衣笠、村田、子十二
彫師：なし
No blockcutter's mark
改印：衣笠、村田、子十二
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.