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「富士三十六景 駿河薩多之海上」
The Sea off Satta in Suruga Province (Suruga Satta kaijô), from the series Thirty-six Views of Mount Fuji (Fuji sanjûrokkei)
「富士三十六景 駿河薩多之海上」
Japanese
Edo period
1858 (Ansei 5), 4th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.8 × 24.7 cm (14 1/8 × 9 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.39213
OUT ON LOAN
On display at Nelson-Atkins Museum of Art, Kansas City, MO, September 21, 2024 – January 5, 2025
On display at Nelson-Atkins Museum of Art, Kansas City, MO, September 21, 2024 – January 5, 2025
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Forrer, Hiroshige (1997), #78; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 250, ôban #58.15
DescriptionMFA impressions: 11.26306, 11.39213, 21.5311, 21.5312
Signed
Hiroshige ga
広重画
広重画
Marks
Censor's seal: Horse 4
No blockcutter's mark
改印：午四
彫師：なし
No blockcutter's mark
改印：午四
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.