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「髦の意体」四代目市川小団次 「三浦屋揚巻」初代坂東しうか 「揚巻の助六」八代目市川団十郎
Actors Ichikawa Kodanji IV as Hige no Ikyû (R), Bandô Shûka I as Agemaki of the Miuraya (C), and Ichikawa Danjûrô VIII as Agemaki's Sukeroku (L)
「髦の意体」四代目市川小団次 「三浦屋揚巻」初代坂東しうか 「揚巻の助六」八代目市川団十郎
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Yamamotoya Heikichi (Eikyûdô) (Japanese)
Publisher: Yamamotoya Heikichi (Eikyûdô) (Japanese)
Japanese
Edo period
1850 (Kaei 3), 3rd month
Medium/Technique
Woodblock print (key block); ink on paper
Dimensions
Vertical ôban triptych; 40.2 x 84.6 cm (15 13/16 x 33 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.39063a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionPlay (shosa, finale of Part 2): Sukeroku Kuruwa no Hanamidoki
Play (main feature): Hana no Yuki Takeda no Kachidoki
Theater: Nakamura
助六廓の花見時（すけろくくるわのはなみどき） 半太夫
花眺雪武田勝凱（はなのゆきたけだのかちどき）
中村、二番目大切
1850、嘉永０３、03・06
Play (main feature): Hana no Yuki Takeda no Kachidoki
Theater: Nakamura
助六廓の花見時（すけろくくるわのはなみどき） 半太夫
花眺雪武田勝凱（はなのゆきたけだのかちどき）
中村、二番目大切
1850、嘉永０３、03・06
Signed
Ichiyôsai Toyokuni ga (on right and left sheets), Kôchôrô Toyokuni ga (on center sheet)
一陽斎豊国画 香蝶楼豊国画
一陽斎豊国画 香蝶楼豊国画
Marks
Censors' seals: Fuku, Muramatsu, shita-uri
No blockcutter's mark
改印：福、村松、シタ売
彫師：なし
No blockcutter's mark
改印：福、村松、シタ売
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.