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「小野道風 坂東彦三郎」(五代目) 「小野頼風 河原崎権十郎」(初代)、「女郎花姫 沢村田之助」(三代目)
Actors Bandô Hikosaburô V as Ono no Michikaze (R), Kawarazaki Gonjûrô I as Ono no Yorikaze, and Sawamura Tanosuke III as Ominaeshi-hime (L)
「小野道風 坂東彦三郎」(五代目) 「小野頼風 河原崎権十郎」(初代)、「女郎花姫 沢村田之助」(三代目)
Utagawa Kunisada II (Kunimasa III, Toyokuni IV) (Japanese, 1823–1880)
Publisher: Tsujiokaya Bunsuke (Kinshôdô) (Japanese)
Blockcutter: Uemura Yasugorô (Hori Yasu) (Japanese)
Publisher: Tsujiokaya Bunsuke (Kinshôdô) (Japanese)
Blockcutter: Uemura Yasugorô (Hori Yasu) (Japanese)
Japanese
Edo period
1863 (Bunkyû 3), 7th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban diptych; 36 × 49.4 cm (14 3/16 × 19 7/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.38947a-b
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionPlay: Ono no Tôfû Aoyagi Suzuri
Theater: Nakamura
小野道風青柳硯(おののとうふうあおやぎすずり)
中村
1863、文久03
Theater: Nakamura
小野道風青柳硯(おののとうふうあおやぎすずり)
中村
1863、文久03
Signed
Kunisada ga, in toshidama cartouche (on each sheet)
国貞画(年玉枠)
国貞画(年玉枠)
Marks
Censor's seal: Boar 7 aratame
Blockcutter's mark: Uemura Hori Yasu
改印:亥七改
彫師:上邑彫安
Blockcutter's mark: Uemura Hori Yasu
改印:亥七改
彫師:上邑彫安
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.