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「源天日坊 実ハ清水義高 市川小団次」(四代目) 「大江因幡之助広元 坂東亀蔵」 (初代) 「竹川伊賀の助 河原崎権十郎」(初代)
Actors Ichikawa Kodanji IV as Minamoto Tennichibô, Actually Shimizu Yoshitaka (R), Bandô Kamezô I as Ôe Inabanosuke Hiromoto (C), and Kawarazaki Gonjûrô I as Takegawa Iganosuke (L)
「源天日坊 実ハ清水義高 市川小団次」(四代目) 「大江因幡之助広元 坂東亀蔵」 (初代) 「竹川伊賀の助 河原崎権十郎」(初代)
Utagawa Kunisada II (Kunimasa III, Toyokuni IV) (Japanese, 1823–1880)
Publisher: Moriya Jihei (Kinshindô) (Japanese)
Blockcutter: Watanabe Eizô (Hori Ei) (Japanese, 1833–1901)
Publisher: Moriya Jihei (Kinshindô) (Japanese)
Blockcutter: Watanabe Eizô (Hori Ei) (Japanese, 1833–1901)
Japanese
Edo period
1865 (Genji 2/Keiô 1), 4th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 35.4 × 72.3 cm (13 15/16 × 28 7/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.38741a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Waseda db 100-7356 (R), 100-7356 (C), 100-7356 (L)
DescriptionPlay: Yoshitaka Shima Chibiki no Aminote
Theater: Nakamura
義高島千摂網手 よしたかしまちびきのあみのて
中村
Theater: Nakamura
義高島千摂網手 よしたかしまちびきのあみのて
中村
Signed
Kunisada ga (on each sheet)
国貞画
国貞画
Marks
Censor's seal: Ox 4 aratame
Blockcutter's mark: Hori Ei (on right and center sheets)
改印:丑四改
彫師:彫栄
Blockcutter's mark: Hori Ei (on right and center sheets)
改印:丑四改
彫師:彫栄
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.