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Actors Nakamura Shikan I in a Farewell Performance (Onagori kyôgen), in a Quick-change Act (Kono tokoro hayagawari) as Yokoyama Tarô (R); Nakamura Daikichi as Tarô's Wife (Nyôbô) Senkô (C), and Nakamura Shikan I in the Second Role (Niyaku) of the Quick-change Act (Kono tokoro hayagawari) as Hoshikawa Kumohachi (L)


「中村芝翫 御名残狂言 此所早替り 横山太郎」(初代中村芝翫)  「太郎女房浅香 中村大吉」   「御名残狂言 此所早替り 星川雲八 二役 中村芝翫」(初代)
Utagawa Toyokuni I (Japanese, 1769–1825)
Publisher: Yamamotoya Heikichi (Eikyūdō) (Japanese)
Japanese
Edo period
1819 (Bunsei 2), 8th month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban triptych; 37.8 x 76.5 cm (14 7/8 x 30 1/8 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.38709a-c
NOT ON VIEW
ClassificationsPrints

DescriptionPlay: Oguri Hangan Kuruma Kaidô
Theater: Nakamura

Nakamura Utaemon III used his poetry name, Shikan, as a temporary stage name when he performed in Edo in 1818-19. This was his farewell performance in Edo, before returning to Osaka.
小栗判官車街道(おぐりはんがんくるまかいどう)
中村
Signed Toyokuni ga (on each sheet)
豊国画
Marks Censor's seal: kiwame
改印:極
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.