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右 「歌舞伎十八番の内 景清 五代目市川海老蔵 河原崎座ニおゐて相勤申候」 左 「岩永 嵐吉三郎」（三代目）、「仁田の四郎 市川団十郎」（八代目）、「梶原平三 嵐猪三郎」（二代目）、「長谷八郎 大谷万作」、「番場の忠太 市川川蔵」、「軍兵運藤 市川箱猿」、「同 軍藤 市川団八」、「竹ノ下孫八 尾上岩五郎」、「海野の太郎 片岡虎五郎」、「榛沢六郎 市川升五郎」、「景清娘人丸 尾上菊次郎」（二代目）、「同女房あこや 尾上栄三郎」（三代目）、「秩父の次郎重忠 市川九蔵」（二代目）
Actors Ichikawa Ebizô V as Kagekiyo (C), Arashi Kichisaburô III as Iwanaga, Ichikawa Danjûrô VIII as Nitta no Shirô, Arashi Isaburô II as Kajiwara Heizô, Ôtani Mansaku as Nagatani Hachirô, Ichikawa Senzô as Banba no Chûta, Ichikawa Hakoen as Soldier (Gunpei) Undô, Ichikawa Danpachi as Soldier Gundô, Onoe Iwagorô as Takenoshita Magohachi, Kataoka Toragorô as Unno no Tarô, Ichikawa Masugorô as Hanzawa Rokurô, Onoe Kikujirô II as Kagikiyo's Daughter Hitomaru, Onoe Eizaburô III as Kagekiyo's Wife Akoya, and Ichikawa Kuzô II as Chichibu no Jirô Shigetada
右 「歌舞伎十八番の内 景清 五代目市川海老蔵 河原崎座ニおゐて相勤申候」 左 「岩永 嵐吉三郎」（三代目）、「仁田の四郎 市川団十郎」（八代目）、「梶原平三 嵐猪三郎」（二代目）、「長谷八郎 大谷万作」、「番場の忠太 市川川蔵」、「軍兵運藤 市川箱猿」、「同 軍藤 市川団八」、「竹ノ下孫八 尾上岩五郎」、「海野の太郎 片岡虎五郎」、「榛沢六郎 市川升五郎」、「景清娘人丸 尾上菊次郎」（二代目）、「同女房あこや 尾上栄三郎」（三代目）、「秩父の次郎重忠 市川九蔵」（二代目）
Japanese
Edo period
1842 (Tenpô 13), 3rd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 37 x 75.4 cm (14 9/16 x 29 11/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.38528a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionPlay (shosa): Kagekiyo
Play (main feature): Iwao no Hana Nami no Shiraishi
Theater: Kawarazaki
景清（かげきよ） 常磐津
岩藤浪白石（いわおのはななみのしらいし）
河原崎、一番目大詰
1842、天保１３、03・09
Play (main feature): Iwao no Hana Nami no Shiraishi
Theater: Kawarazaki
景清（かげきよ） 常磐津
岩藤浪白石（いわおのはななみのしらいし）
河原崎、一番目大詰
1842、天保１３、03・09
Signed
Ichiyûsai Kuniyoshi ga (on each sheet)
一勇斎国芳画
一勇斎国芳画
Marks
Censor's seal: kiwame
改印：極
改印：極
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.