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「かんへら門兵衛」初代中山市蔵、「髭の意休実は伊賀平内左衛門」四代目市川小団次、「朝がほ仙平」初代市川広五郎 「白玉」初代しんしゃ、「福山伊の助」三代目尾上新七、「花川戸助六」八代目市川団十郎 「新兵衛 実は善司坊」七代目市川高麗蔵、「あげまき」初代坂東しゅうか、「やりてまつ」初代松本国五郎
Actors Nakayama Ichizô I as Kanpera Monbei, Ichikawa Kodanji IV as Ikyû, Actually Kaga Heinaizaemon, Ichikawa Hirogorô I as Asago Senpei (R); Ishikawa Shinsha I as Shiratama, Onoe Shinshichi III as Fukuyama Inosuke, Ichikawa Danjûrô VIII as Hanakawado Sukeroku (C); Ichikawa Komazô VII as Shinbei, Actually (Jitsu wa) Zenjibô, Bandô Shûka I as Agemaki, and Matsumoto Kunigorô I as Yarite Matsu (L)
「かんへら門兵衛」初代中山市蔵、「髭の意休実は伊賀平内左衛門」四代目市川小団次、「朝がほ仙平」初代市川広五郎 「白玉」初代しんしゃ、「福山伊の助」三代目尾上新七、「花川戸助六」八代目市川団十郎 「新兵衛 実は善司坊」七代目市川高麗蔵、「あげまき」初代坂東しゅうか、「やりてまつ」初代松本国五郎
Japanese
Edo period
1850 (Kaei 3), 3rd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 36.1 x 73.7 cm (14 3/16 x 29 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.38486a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kuniyoshi Project db
DescriptionMFA impressions: 11.38486a-c, 11.38487a-c
Play (finale of Part 2): Sukeroku Kuruwa no Hanamidoki
Play (main feature): Hana no Yuki Takeda no Kachidoki
Theater: Nakamura
花眺雪武田勝凱（はなのゆきたけだのかちどき）
助六廓の花見時（すけろくくるわのはなみどき） 半太夫
中村、二番目大切
1850、嘉永０３、03・06
Play (finale of Part 2): Sukeroku Kuruwa no Hanamidoki
Play (main feature): Hana no Yuki Takeda no Kachidoki
Theater: Nakamura
花眺雪武田勝凱（はなのゆきたけだのかちどき）
助六廓の花見時（すけろくくるわのはなみどき） 半太夫
中村、二番目大切
1850、嘉永０３、03・06
Signed
Ichiyûsai Kuniyoshi ga (on each sheet)
一勇斎国芳画
一勇斎国芳画
Marks
Censors' seals: Fuku, Muramatsu
No blockcutter's mark
改印：福、村松
彫師：なし
No blockcutter's mark
改印：福、村松
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.