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「祇王」六代目岩井半四郎、「祇女」七代目岩井半四郎、「仏御前」五代目岩井半四郎
Currently indexing
DEACESSIONED June 20, 2019
Actors Iwai Hanshirô VI as Giô, Iwai Hanshirô VI as Gijo, and (in inset) Iwai Hanshirô V as Hotoke Gozen
「祇王」六代目岩井半四郎、「祇女」七代目岩井半四郎、「仏御前」五代目岩井半四郎
Japanese
Edo period
1847 (Kôka 4)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.6 x 23.3 cm (14 x 9 3/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.38380
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Waseda db 005-0600, 201-2118
DescriptionMFA impressions: 11.28803, *11.38380 (deaccessioned in 2019)
Possibly a memorial print for Iwai Tojaku (formerly Iwai Hanshirô V), who died in the 4th month of 1847. Sadly, he had outlived his two sons, Hanshirô V (1799-1836) and Hanshirô VII (1804-1845). They are shown playing the roles of three women who become Buddhist nuns.
Possibly a memorial print for Iwai Tojaku (formerly Iwai Hanshirô V), who died in the 4th month of 1847. Sadly, he had outlived his two sons, Hanshirô V (1799-1836) and Hanshirô VII (1804-1845). They are shown playing the roles of three women who become Buddhist nuns.
Signed
Ichiyûsai Kuniyoshi ga
一勇斎国芳画
一勇斎国芳画
Marks
Censors' seals: Muramatsu, Yoshimura
No blockcutter's mark
改印：村松、吉村
彫師：なし
No blockcutter's mark
改印：村松、吉村
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.