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「一魁随筆 眞田左エ門尉幸村」
Sanada Saemon-no-jô Yukimura, from the series Essays by Yoshitoshi (Ikkai zuihitsu)
「一魁随筆 眞田左エ門尉幸村」
Japanese
Meiji era
1872 (Meiji 5), 11th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37 x 24.4 cm (14 9/16 x 9 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.37613
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Iwakiri et al., Edo no eiyû (2010), #1; Ing & Schaap, Beauty & Violence (1992), #23.2 (no photo)
Signed
Ikkaisai Yoshitoshi
一魁斎芳年
一魁斎芳年
Marks
Censor's seal: Water Monkey (Jinshin, mizunoe saru) 11
Blockcutter's mark: Horikô Ryû (or Ru ?)
改印：壬申十一
彫師：彫工留
Blockcutter's mark: Horikô Ryû (or Ru ?)
改印：壬申十一
彫師：彫工留
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.