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「全盛東風景 高輪 丸海老屋内 江門」
Takanawa: Emon of the Maru-Ebiya (Takanawa, Maru-Ebiya uchi Emon), from the series Flourishing Scenes of the East (Zensei Azuma fûkei)
「全盛東風景 高輪 丸海老屋内 江門」
Japanese
Edo period
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.7 x 24.4 cm (14 1/16 x 9 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.37476
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Other prints in the series: Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 4, Victoria and Albert Museum I (1989), figs. 116-9
Signed
Teisai Senchô ga
貞斎泉晁画
貞斎泉晁画
Marks
Censor's seal: kiwame
改印：極
改印：極
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.