Advanced Search 
「楠正成千破城ニテ音楽歌の英気を礼スの図」
At the Fortress of Chihaya, Kusunoki Masashige Appreciates a Spirited Performance of Music and Song (Kusunoki Masashige Chihaya-jô ni te ongaku uta no eiki o rei su no zu)
「楠正成千破城ニテ音楽歌の英気を礼スの図」
Japanese
Edo period
1847–52 (Kôka 4–Kaei 5)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban triptych; 35.7 × 73.5 cm (14 1/16 × 28 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.37403a-c
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.22516-8, 11.37403a-c
Signed
Gyokuransai Sadahide ga (on right sheet), Gyokuran Sadahide ga (on center and left sheets)
玉蘭斎貞秀画 玉蘭貞秀画
玉蘭斎貞秀画 玉蘭貞秀画
Marks
Censors' seals: Hama, Magome
No blockcutter's mark
改印：浜、馬込
彫師：なし
No blockcutter's mark
改印：浜、馬込
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.