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「三十六花撰 東京 海案寺楓」
Maple Leaves at Kaian-ji Temple in Tokyo (Tôkyô Kaian-ji kaede), from the series Thirty-six Selected Flowers (Sanjûrokkasen)
「三十六花撰 東京 海案寺楓」
Utagawa Hiroshige II (Shigenobu) (Japanese, 1826–1869)
Publisher: Tsutaya Kichizô (Kôeidô) (Japanese)
Publisher: Tsutaya Kichizô (Kôeidô) (Japanese)
Japanese
Edo period
1866 (Keiô 2), 7th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.8 x 23.7 cm (14 1/2 x 9 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.37277
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
The red maple leaves of autumn were classified as flowers for purposes of visual enjoyment, the fall equivalent of the cherry blossoms of spring. As in the case of other flowering trees, certain spots in the city were considered to have especially fine views of the seasonal spectacle. The most famous site for maple leaves was the grounds of the temple Kaian-ji, high on a hill overlooking Edo Bay, with blue water and sky forming a background for the red leaves.
DescriptionNo. 33 in the series.
MFA impressions: 01.7335.34, 11.37277
MFA impressions: 01.7335.34, 11.37277
Signed
Risshô hitsu
立祥筆
立祥筆
Marks
Censor's seal: Tiger 7 aratame
No blockcutter's mark
改印:寅七改
彫師:なし
No blockcutter's mark
改印:寅七改
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.