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狂斎百図 「山のいもうなぎ二成」
Yams Become Eels (Yama no imo unagi ni naru), from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
狂斎百図 「山のいもうなぎ二成」
Japanese
Edo period
1863–66 (Bunkyû 3–Keiô 2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical yotsugiri (quarter ôban); 18.8 x 12.6 cm (7 3/8 x 4 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.36994
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kaikan sanjû shûnen kinen Kawanabe Kyôsai kinen bijutsukan cat. (2008), p. 103, #0784 (sheet of 4)
DescriptionMFA impressions:
Uncut sheet: 11.45393.24
Right side only: 11.36994
Left side only: 11.22637, 11.36988, 11.45800.45
Uncut sheet: 11.45393.24
Right side only: 11.36994
Left side only: 11.22637, 11.36988, 11.45800.45
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.