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Actors as Boatmen (Sendô) Dairoku, Kanroku, Sadaroku, and Bunroku (R); Nakamura Utaemon IV as Boatman (Sendô) Matsuemon, actually (jitsu wa) Higuchi Jirô (C); Seki Sanjurô III as Boatman (Sendô) Gonshirô, and Onoe Baiko IV as Ofude


「船頭大六」、「同くハん六」、「同佐 六」、「同文ろく」  「船頭松右ヱ門実者樋口次郎」四代目中村歌右衛門  「船頭権四郎」三代目関三十郎、「おふで」四代目尾上梅幸
Utagawa Kuniyoshi (Japanese, 1797–1861)
Publisher: Ebiya Rinnosuke (Kaijudô) (Japanese)
Japanese
Edo period
1849 (Kaei 2), 5th month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban triptych; 35.7 x 76.8 cm (14 1/16 x 30 1/4 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.36691a-c
NOT ON VIEW
ClassificationsPrints

DescriptionPlay (interval): Hiragana Seisuiki
Play (main feature): Hana Shôbu Sano no Yatsuhashi
Theater: Ichimura
ひらがな盛衰記(ひらがなせいすいき)
花菖蒲佐野船橋(はなしょうぶさののやつはし)
市村、一番目と二番目の間
1849、嘉永02、05・02
Signed Ichiyûsai Kuniyoshi ga (on each sheet)
一勇斎国芳画
Marks Censors' seals: Hama, Magome
No blockcutter's mark
改印:浜、馬込
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.